External view, taken close to the main entrance. There is a sign in the window on the corner directing people to the “Municipal Art Gallery & Museum Entrance”. The photographer is C. Akehurst..

The photograph shows a close-up shot of architectural features on a corner of the roof.

Spikes had been erected on ledges above the friezes to deter pigeons. The photograph shows a close-up.

The photograph shows the transitional period of the late 17th century, when the oak furniture of Jacobean and Tudor days was declining in favour of walnut pieces.

Pigeons had been noted to be resting on various aspects of the friezes on the side of the building. A later article states that a pigeon repellant was being used by Wolverhampton Corporation to keep the birds away. The National Gallery and Nelson’s Column

View from St Peter’s Gardens.

Part of the architectural detail on the west side of the building.

Architectural detail on the side of the building.

There was a display of dishes with scenes printed on them, all of which, bar one, had been identified, and visitors were asked to try and recognise the scene. The photograph shows Rosamund Allwood with the mystery dish.